Organizing and replenishing my summer striper box is an annual ritual. I thought you might like to see how I do it. The left side of my box is the busiest, in terms of number of flies and how often I’m dipping into it. This is the left side, the sand eel side, and I’m covered for both matchstick sand eels and larger ones up to about 5″. Let’s start with the box: it’s a C&F Design Permit Box, completely waterproof, four rows of slit foam, 7 3/4″ x 4 1/2″ x 1 2/3″. I’ve had this box for years, and I love it.
The top two rows are for sand eel patterns, so I start by removing every fly and taking inventory: what stays, what goes, what needs to be replaced? The bottom two rows are mostly small stuff, like shrimp, crustaceans and isopods, clam worms, and tiny baitfish. Then, I fill in the third row with smaller sand eels. Left to right, The Golden Knight, Ray Bondorew’s Marabou Sand Eel, and Ken Abrames’ Eelie on various hooks and in different color schemes. These smaller sand eels are most likely going to used as part of a dropper rig team of three.Now I’m ready to fill in the top row with Big Eelies. Note that I carry multiple color combinations (and I have more in reserve at home that I can use to fill in the blanks). I’ll choose a pattern based on conditions, light, bottom structure, ritual, tradition, and — most importantly — feeling. It’s easy to lift up the tail to see what’s beneath; this system allows me to maximize available space. I also carry a few extra Big Eelies in a baggie. I hand these out from time to time to people I meet on the beach. Right, John?
I don’t know if there’s a best sand eel fly, but the sand eel pattern in which I have the highest confidence is Ken Abrames’ Big Eelie. And right now’s the perfect time to be tying them up. My Rhode Island spies tell me that sand eels are out in good numbers. Surfcaster extraordinaire Dennis Zambrotta, author of Surfcasting Around The Block, tells me that unless you had a sand eel teaser rigged next to your plug the other night, you didn’t hook up. (This was at an undisclosed oceanfront location in SoCo.) One of the things I love about the Big Eelie is that it lends itself supremely well to different color combinations. I tie all manner of variants (do a search on this site for recipes, and I’ll even start you off with one, the L&L Big Eelie). And of course, the original colors (white/yellow/olive/blue) remain deadly as ever!
A Crazy Menhaden Big Eelie, still hot on the vise. You can find this and many other Big Eelie variants right here on currentseams.com. In fact, I’m playing around with a couple new variants that I’ll share with you soon.
If you live in southern New England, right now is one of the better times to try to catch a large striper. Herring are coming in to spawn, and the stripers know it. I’ve already taken three slot bass this year, one of them 15 pounds. My implements of destruction are a long rod, a floating line, and large flatwings fished on the greased line swing. You can read about how I’m getting it done in this new piece, “Deadly Elegance or: How I learned to stop stripping and love the greased line swing.” You’ll find it in the current issue of Surfcasters Journal. Issue #72 to be exact.
Surfcasters Journal is an e-zine, and the current periodical bible for serious striper anglers. Whether you’re a surfcaster or a fly angler, it’s loaded with information you can use to catch more bass — and bigger bass. Some of the best striper anglers I know are contributors.The opening spread of Deadly Elegance, sans copy. You need a subscription to read the article, and you can get one on the Surfcasters Journal homepage. Those are my Bombardiers, a nine-feather flatwing of my creation and a darn good fly for tempting bass that are feeding on herring.
Director Lorri Shankar’s film about Ken Abrames, “Striper Moon: A Legacy” is now online. You can see the original film poster here. The link to the film, on Google Drive, is here. Enjoy!
A still from the opening of the film Striper Moon A Legacy.
Much to do at Currentseams World Headquarters today, including: rest. I just got back from steelheading and the hours and cold weather really took it out of me. (Dehydration, anyone?) Naturally, there will be a report, but first I’ve got to finish my Everglades saga (one more day to talk about), so stay tuned.
Meanwhile, I have news from the wonderful world of fly fishing film. First, you can now buy tickets to Matthew Vinick’s film “Summer on the Farmington.” The photo below will tell you all you need to know.
Next, Ken Abrames recently posted that the Striper Moon: A Legacy film will be available on his Facebook page on Thanksgiving. I don’t know what that means in terms of access, nor do I know if it is on his personal Facebook page or his Striper Moon Blog page. I’m sorry that I don’t have more information.
Finally, I see that we’re now at 898 followers. So close to 900! Maybe there will be a holiday fly giveaway? That’s up to the potential audience. But, this seems like a natural segue into a very sincere thank you. Thank you for your readership. Thanks you for your support. Thanks you for all the questions you ask. I’m truly grateful that you consider Currentseams worthy of your time. Be safe, be well, and enjoy the Thanksgiving holiday.
Fly anglers are always looking for the next best thing. Especially when it comes to fly patterns. But often, “new” doesn’t translate to “better.” Some of these patterns are decades old, but they still get eaten because the stripers haven’t gotten any smarter. So if you want to see what’s in my fly box this fall — and at the end of my leader — read “These Old-School Striper Patterns are Still Deadly During the Fall Run,” brought to you by our good friends at Field & Stream.
The Magog Smelt Bucktail didn’t make the article, but it’s another fall favorite of mine. You can find out more about this pattern here.
Stripers love finger mullet, and I love this finger mullet fly. You’ll find the September Night pattern in Ken Abrames’ classic Striper Moon, and now right here. (And, of course, in my 2015 American Angler article Soft Hackles For Striped Bass.) I was already planning on making this post today, and when I spoke with Ken an hour ago he — unprompted — mentioned that it was indeed September Night time. To the bench!
Ken Abrames’ September Night
Hook: Eagle Claw 253, 1/0-3/0; Thread: white 6/0; Tail: 30 gray bucktail hairs, then two white saddle hackles tied in flat, then two strands silver Flashabou; Body: silver braid; Throat: sparse, long white bucktail tied as a 3/4 collar, both sides and bottom; Collar: white marabou, folded or doubled 3-4 turns; Wing: 30 long white bucktail hairs, then 15 purple bucktail hairs, then 2 strands blue Flashabou, then one natural black saddle hackle.
In his classic Stripers and Streamers, Ray Bondorew serves up an unimpeachable truth: fly tyers tend to overcomplicate things. Nowhere is this more true than in striper fly tying, where realism is king. Sand eels, also known as sand lances, are pretty basic — slender body, pointed snout, lighter on the bottom, darker on the top. Yet, as Ray observed, “Many sand eel patterns have been devised over the years, and many seem to involve much work to copy such a slender, simple bait. Complex bodies with Mylar tubing, Corsair, and epoxy have evolved. Several patterns require tandem hooks.” He doesn’t mention my pet peeve: eyes, which do a fantastic job of catching anglers. But I digress. I’ll let the man continue.
“I have always thought,” Ray said, “that there must be a way to formulate a simple, quickly tied, and effective pattern, especially for sand eels less than four inches long.” So Ray went forth and prospered at the vise. Ray’s Marabou Sand Eel is another favorite of mine, along with Ken Abrames’ Eelie, for imitating small sand eels, three inches long or less. Like Ken, Ray has some very specific thoughts on how best to tie this pattern.
“The trick here,” he says, “is to use as little marabou as possible.” Any thicker than a paper match width is, as Ray calls it, “overdressed.” Wet your fingertips and run them along the length of the completed fly to see if you’ve achieved your goal. Those who channel their inner sparse, impressionistic fly artist shall be rewarded with fat, cantankerous stripers.
Ray’s Marabou Sand Eel. Thread: Light green monocord. Hook: Eagle Claw 254 size 1 or 1/0. Body: Pearl braid. Tail: Several wisps of long white marabou over which are tied two strands pearl Flashabou and a few wisps of olive marabou. Wing: A few wisps of olive marabou topped by 2-3 strands of peacock herl.
Tying notes: As with Ken Abrames’ Eelie, I use the Eagle Claw 253 or other light, wide gap hook. No monocord for me, so I use Olive UNI 6/0. Leave a 3″ tag of thread near the hook bend; use this tag to bind down the wing. (Ray says if you choose to go the non-bound wing route, the pattern makes a fine silverside fly.) The pearl flash should extend beyond the wing by 1/2″. Use high quality marabou quills, and keep it sparse. What’s pictured here is as heavily dressed as I go.
If you tie Ray’s Marabou Sand Eel and it looks too thin, you probably tied it right.
Many of you know that Ken Abrames’ Big Eelie is my favorite sand eel fly. I use it primarily when the bait is at least 3″ long, or when I’m fishing an open beach or need a sand eel searching pattern. Oh, did I mention that it’s my favorite fly for Block Island? But smaller bait requires a smaller fly. Enter Ken’s Eelie, little brother to the Big one. The Eelie is basically a Big Eelie minus a saddle and the soft hackle. I rarely tie the Eelie longer than 4″; 3″ seems just about right. I love this fly as part of a three fly team; that’s how I most often fish it. Like the Big Eelie, the Eelie lends itself to all manner of color variations (try white, chartreuse, and olive, with a chartreuse body).
The Eelie is an exercise in sparse construction (some bucktail and a few hackles), simplicity (it’s a fast, easy tie), and impressionism (no eyes). The key to the Eelie is its thinness. I’ll quote Ken from Striper Moon: “The secret of tying effective sand eel flies is how thin you make them. Sometimes, an eighth of an inch thick is too heavily dressed.” You’ve been so advised by the master himself.
Ken Abrames’ Eelie. Hook: Eagle Claw 254 sz 2-1/0. Tail: White bucktail, then a white saddle, then pearl flashabou, then a yellow saddle, then an olive saddle. Body: Pearl mylar tubing. Wing: None
Tying notes: Ken’s original recipe is listed above. I make a few changes when I tie the Eelie. For years, I’ve been using the Eagle Claw 253 1/0 and some smaller hooks from brands like Gamakatsu; the key is to find hooks that are short shank, wide gap, light and strong. I match thread color to body color (here I used UNI 6/0 white). Instead of tubing, I use pearl braid for the body. Follow Ken’s instructions for thinness, and you’ll make the bass — and yourself — very happy.
For sand eel flies like the Eelie, thin is always in.
Happy Birthday to the United States of America. I hope you’re have a safe and fun Fourth of July; maybe you’re getting together with family, or perhaps you’re out on the water. To help you celebrate, here’s bonus from the archives: the Olive Fireworm Big Eelie variant. This is my traditional 4th of July favorite sand eel pattern. Tie some up, and let the fireworks begin!
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