Category Archives: Striper Fly Tying

The requirements of a successful grass shrimp fly pattern are…well, they certainly don’t include realism

Edward Ringwood Hewitt was one of the leading innovators in American fly fishing and fly tying. The Skating Spider…Bivisisble…Neversink Stone…these are all Hewitt creations. Hewitt was obsessed with finding out everything he could about what made fish eat. To wit, he created a list of seven factors that made a pattern successful, and ranked them in order of importance. Gary LaFontaine, another keen student of feeding behavior and effective fly design, lists them in his masterwork Caddisflies. Number one is the light effects of the fly, above and below the surface. Number seven, the least important, is accuracy of imitation of the naturals.

So it should come as no surprise that The Grass Shrimp Solution, a ridiculously simple pattern constructed of a few strands of bucktail, some braid, and a hen feather, excels at fooling striped bass. It has no eyes, no tail, no carapace. But it does have the essential bite triggers that stripers are keying on. In Caddisflies, LaFontaine makes a very big deal about what fish are looking for when they’re feeding; it’s often a single, essential characteristic of the natural. The Grass Shrimp Solution offers a translucent silhouette when viewed from below; the soft hackle and sparse feelers provide movement; and when held on the dangle, the fly creates a wake just like the naturals. Impressionism. It’s what’s for dinner.

If you placed the Grass Shrimp Solution in a shop next to patterns with shells and eyes, no one would buy it. Fortunately, striped bass don’t browse through fly bins.

How to get a light yellow bucktail

Ray Bondorew calls for light yellow bucktail in his Yellow Rebel pattern. I’m sure light yellow bucktail exists, but I can’t ever recall seeing one at a shop or show. What’s an intrepid fly tier to do? Let the sun shine in! Here’s a yellow bucktail, color side out, taped to a south facing window in my house. It’s done when you like the degree of the bleaching. To quote Bob Dylan, “I never did engage in this kind of thing before,” but bucktail master Brad Buzzi confirmed with me at the International Fly Tying Symposium that it does work. Now all I gotta do is wait…

We’ll continue with the Traveling Wilbury member theme and say, “The waiting is the hardest part.”

Time to tie up some September Nights

I don’t know if you’ve noticed, but suddenly it’s fall. The shadows have started getting longer earlier. There’s an early morning nip in the air. (At least my wife tells me so — I’m still sleeping when she’s out running.) There are even a few leaves on the ground, although that can be attributed to drought as much as anything. Nonetheless, fall has begun, and for striper anglers in the northeast fall means finger mullet. The September Night pattern can be found in Ken Abrames’ classic Striper Moon. It was one of the featured patterns in my 2015 American Angler article Soft Hackles For Striped Bass.) You don’t even need long flatwing saddles to tie it — I’ve gotten away with stung hackle in a pinch. Just look for chubby, webby feathers.

Ken Abrames’ September Night

Hook: Eagle Claw 253, 1/0-3/0; Thread: white 6/0; Tail: 30 gray bucktail hairs, then two white saddle hackles tied in flat, then two strands silver Flashabou; Body: silver braid; Throat: sparse, long white bucktail tied as a 3/4 collar, both sides and bottom; Collar: white marabou, folded or doubled 3-4 turns; Wing: 30 long white bucktail hairs, then 15 purple bucktail hairs, then 2 strands blue Flashabou, then one natural black saddle hackle.

The B.I.G. Big Eelie Variant

I’ve had the B.I.G. Big Eelie variant on my brain ever since I read Dennis Zambrotta’s Surfcasting Around The Block. In case you’re unfamiliar, Dennis devotes an entire chapter to the popular needlefish plug — and he details how bright, fluorescent lime green was all the rage among needlefish aficionados. Dennis dubbed the color, “Block Island Green,” and it was so popular back in the day that you could always find an incredible number of fluorescent lime green spray paint cans at the island hardware store. Fortunately, you don’t need to summon your inner painter to tie the B.I.G. Big Eelie. All you need is some bucktail, a few pencil thin saddles, and a sandbar over which to swing this bright green striper catching machine.

The B.I.G. Big Eelie

Hook: Eagle Claw 253 3/0

Thread: Fluorescent green or chartreuse 6/0

Platform: 30 hairs white bucktail

Tail: First, a white saddle; second, 4 strands light green Flashabou; third, three chartreuse or bright green saddles. (All saddles pencil thin.)

Body: Pearl braid

Collar: Fluorescent green marabou, tied in at the tip, 2-3 turns

Time to tie up some Big Eelies

I don’t know if there’s a best sand eel fly, but the sand eel pattern in which I have the highest confidence is Ken Abrames’ Big Eelie. And right now’s the perfect time to be tying them up. My Rhode Island spies tell me that sand eels are out in good numbers. Surfcaster extraordinaire Dennis Zambrotta, author of Surfcasting Around The Block, tells me that unless you had a sand eel teaser rigged next to your plug the other night, you didn’t hook up. (This was at an undisclosed oceanfront location in SoCo.) One of the things I love about the Big Eelie is that it lends itself supremely well to different color combinations. I tie all manner of variants (do a search on this site for recipes, and I’ll even start you off with one, the L&L Big Eelie). And of course, the original colors (white/yellow/olive/blue) remain deadly as ever!

A Crazy Menhaden Big Eelie, still hot on the vise. You can find this and many other Big Eelie variants right here on currentseams.com. In fact, I’m playing around with a couple new variants that I’ll share with you soon.

Time to tie up some September Nights

Stripers love finger mullet, and I love this finger mullet fly. You’ll find the September Night pattern in Ken Abrames’ classic Striper Moon, and now right here. (And, of course, in my 2015 American Angler article Soft Hackles For Striped Bass.) I was already planning on making this post today, and when I spoke with Ken an hour ago he — unprompted — mentioned that it was indeed September Night time. To the bench!

Ken Abrames’ September Night

Hook: Eagle Claw 253, 1/0-3/0; Thread: white 6/0; Tail: 30 gray bucktail hairs, then two white saddle hackles tied in flat, then two strands silver Flashabou; Body: silver braid; Throat: sparse, long white bucktail tied as a 3/4 collar, both sides and bottom; Collar: white marabou, folded or doubled 3-4 turns; Wing: 30 long white bucktail hairs, then 15 purple bucktail hairs, then 2 strands blue Flashabou, then one natural black saddle hackle.

Ray Bondorew’s Marabou Sand Eel

In his classic Stripers and Streamers, Ray Bondorew serves up an unimpeachable truth: fly tyers tend to overcomplicate things. Nowhere is this more true than in striper fly tying, where realism is king. Sand eels, also known as sand lances, are pretty basic — slender body, pointed snout, lighter on the bottom, darker on the top. Yet, as Ray observed, “Many sand eel patterns have been devised over the years, and many seem to involve much work to copy such a slender, simple bait. Complex bodies with Mylar tubing, Corsair, and epoxy have evolved. Several patterns require tandem hooks.” He doesn’t mention my pet peeve: eyes, which do a fantastic job of catching anglers. But I digress. I’ll let the man continue.

“I have always thought,” Ray said, “that there must be a way to formulate a simple, quickly tied, and effective pattern, especially for sand eels less than four inches long.” So Ray went forth and prospered at the vise. Ray’s Marabou Sand Eel is another favorite of mine, along with Ken Abrames’ Eelie, for imitating small sand eels, three inches long or less. Like Ken, Ray has some very specific thoughts on how best to tie this pattern.

“The trick here,” he says, “is to use as little marabou as possible.” Any thicker than a paper match width is, as Ray calls it, “overdressed.” Wet your fingertips and run them along the length of the completed fly to see if you’ve achieved your goal. Those who channel their inner sparse, impressionistic fly artist shall be rewarded with fat, cantankerous stripers.

Ray’s Marabou Sand Eel. Thread: Light green monocord. Hook: Eagle Claw 254 size 1 or 1/0. Body: Pearl braid. Tail: Several wisps of long white marabou over which are tied two strands pearl Flashabou and a few wisps of olive marabou. Wing: A few wisps of olive marabou topped by 2-3 strands of peacock herl.

Tying notes: As with Ken Abrames’ Eelie, I use the Eagle Claw 253 or other light, wide gap hook. No monocord for me, so I use Olive UNI 6/0. Leave a 3″ tag of thread near the hook bend; use this tag to bind down the wing. (Ray says if you choose to go the non-bound wing route, the pattern makes a fine silverside fly.) The pearl flash should extend beyond the wing by 1/2″. Use high quality marabou quills, and keep it sparse. What’s pictured here is as heavily dressed as I go.

If you tie Ray’s Marabou Sand Eel and it looks too thin, you probably tied it right.

Ken Abrames’ Eelie: the sand eel pattern where thin is in

Many of you know that Ken Abrames’ Big Eelie is my favorite sand eel fly. I use it primarily when the bait is at least 3″ long, or when I’m fishing an open beach or need a sand eel searching pattern. Oh, did I mention that it’s my favorite fly for Block Island? But smaller bait requires a smaller fly. Enter Ken’s Eelie, little brother to the Big one. The Eelie is basically a Big Eelie minus a saddle and the soft hackle. I rarely tie the Eelie longer than 4″; 3″ seems just about right. I love this fly as part of a three fly team; that’s how I most often fish it. Like the Big Eelie, the Eelie lends itself to all manner of color variations (try white, chartreuse, and olive, with a chartreuse body).

The Eelie is an exercise in sparse construction (some bucktail and a few hackles), simplicity (it’s a fast, easy tie), and impressionism (no eyes). The key to the Eelie is its thinness. I’ll quote Ken from Striper Moon: “The secret of tying effective sand eel flies is how thin you make them. Sometimes, an eighth of an inch thick is too heavily dressed.” You’ve been so advised by the master himself.

Ken Abrames’ Eelie. Hook: Eagle Claw 254 sz 2-1/0. Tail: White bucktail, then a white saddle, then pearl flashabou, then a yellow saddle, then an olive saddle. Body: Pearl mylar tubing. Wing: None

Tying notes: Ken’s original recipe is listed above. I make a few changes when I tie the Eelie. For years, I’ve been using the Eagle Claw 253 1/0 and some smaller hooks from brands like Gamakatsu; the key is to find hooks that are short shank, wide gap, light and strong. I match thread color to body color (here I used UNI 6/0 white). Instead of tubing, I use pearl braid for the body. Follow Ken’s instructions for thinness, and you’ll make the bass — and yourself — very happy.

For sand eel flies like the Eelie, thin is always in.

Happy Independence Day (with some bonus fireworks)

Happy Birthday to the United States of America. I hope you’re have a safe and fun Fourth of July; maybe you’re getting together with family, or perhaps you’re out on the water. To help you celebrate, here’s bonus from the archives: the Olive Fireworm Big Eelie variant. This is my traditional 4th of July favorite sand eel pattern. Tie some up, and let the fireworks begin!

Boom. Ooh. Ahh. Ohh.

The Big Eelie featured in On The Water’s “Guide Flies”

This is my third (I think) year participating in On The Water magazine‘s “Guide Flies” column, written by Tony Lolli. You’re familiar with he concept of a guide fly — a pattern that is typically simple to tie and can be relied upon to produce day in and day out. (Or night after night, as it were.) The Big Eelie delivers the goods. Developed by Ken Abrames, this pattern imitates larger sand eels. Part flatwing, part soft hackle, the Big Eelie is understated elegance at its finest. I think what I like most about the Big Eelie is that its template — four pencil-thin saddles and a marabou collar — lends itself to as many color combination as your inner artist can conjure up. My Rat a Tat Big Eelie, based on Ken’s larger flatwing, is just one example. Have at it and hold on tight!

Here’s a link to a PDF of this page: