TBT on Wednesday: Kenney Casting

I recently came across this wonderful photo of Ken Abrames taken by fly fishing shooters extraordinaire Barry and Cathy Beck. It was posted by Tom Keer on one of his social media feeds. I don’t know where the shot was taken, but it’s a great look at an extraordinary fly caster. I remember seeing Ken in a parking lot in Watch Hill with my Salmo Sax #3 and a Rio Outbound long head 9-weight line. He held the rod in his right hand; his left hand was stuffed into the front pocket of his khakis. One false cast…waaay back….then one smooth, yet powerful stroke forward, and out went the entire length of line. (That’s 100 feet for those of you keeping score at home.) There are those who will tell you that the double haul — or as Ken liked to call it, “high line speed gymnastics” — is essential to being able to fly fish in saltwater. They never saw Ken cast. I’ve still never double hauled in my life — thanks to Ken.

Photo courtesy of Tom Keer and taken by Barry and Cathy Beck.

Revisiting the Rhody Flatwing (and a little flatwing history for good measure)

I wrote about Bill Peabody’s Rhody Flatwing pattern on currentseams seven years ago. Three years earlier, I’d posted the pattern on a public forum. It’s funny how these things play out, because someone recently followed up on that old forum post with a Rhody Flatwing timeline that didn’t make sense. I don’t know when Bill Peabody created the pattern, but it had to be some time after 1980. Before his death, Peabody clearly stated that Ken Abrames’ flatwings were the inspiration for the Rhody. I’ve also had conversations with Ken where he talked about sharing some of his flatwings with Bill. The point is: Ken didn’t start experimenting with the modern saltwater flatwing until the late 1970s, and he did not share them with the Rhode Island fishing community until the early 1980s. So. The Rhody Flatwing had to have come after that.

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Here’s a link to the original Rhody Flatwing currentseams piece.

Below is a pdf link to an excellent article by Tom Keer from the Summer 2001 Fly Tier. Part of it is about Ken and how and when he developed the modern saltwater flatwing.

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Going way back in the archives: “The Art of the Flatwing” by Tom Keer

“The Art of the Flatwing,” written by Tom Keer, appeared in the Summer 2001 issue of Fly Tyer. I’ve had this article in pdf form for years — and now it’s got an online home. Speaking of flatwings, I interviewed Ken Abrames yesterday. Our focus was on the Razzle Dazzle-style patterns in A Perfect Fish: color rationale, nomenclature, genesis, anecdotes and other good stuff. I’m not sure what form it will take, but you’ll get to read/hear some of it in the future.

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Here’s my take on the Razzle Dazzle, one of the featured flies in the piece. Ken once described this fly as a caricature rather than a detailed painting or sculpture.

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Instead of peacock herl, the topping is an olive saddle and a silver doctor blue saddle tip.

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What you leave out of a fly is as important as what you put in.

RazzleDazzleCU